Kuma Kengo
Photo © J.C. Carbonne
Born 1954. Before establishing Kengo Kuma and Associates (KKAA) in 1990, he received his Master’s Degree in Architecture from the University of Tokyo, where he is currently a university professor and professor emeritus. Having been inspired by Tange Kenzo’s Yoyogi National Gymnasium, built for the 1964 Tokyo Olympics, Kuma decided to pursue architecture at a young age, and later entered the Architecture program at the University of Tokyo, where he studied under Hara Hiroshi and Uchida Yoshichika. After his time as a visiting scholar at Columbia University in New York, he established his office in Tokyo. Since then, KKAA has designed architectural works in over twenty countries and received prestigious awards, including the Architectural Institute of Japan Award, the Mainichi Art Award, the Minister of Education, Culture, Sports, Science and Technology’s Art Encouragement Prize, the Spirit of Nature Wood Architecture Award (Finland), and the International Stone Architecture Award (Italy), among others. KKAA aims to design architecture which naturally merges with its cultural and environmental surroundings, proposing gentle, human scaled buildings. The office is constantly in search of new materials to replace concrete and steel, and seeks a new approach for architecture in a post-industrial society.
Message
When discussions on holding the exhibition Kuma Kengo: Five Purr-fect Points for a New Public Space began a few years ago, the museum curators and I talked about the theme of public space, and about focusing not on buildings as “boxes” but rather on the spaces between them. This sounded like an opportunity to put together a different, unprecedented kind of exhibition––and then just as I was thinking about the nature of public space and spaces in general, the coronavirus struck. In our current world shaped by the pandemic, each one of us has begun seeking ways to escape from our boxes and redefine the public space that lies beyond. The theme assigned to me was a timely and prophetic one, for which I am deeply grateful.

Kuma Kengo